Oscar Wilde

Reshaping garden sculpture required tool capable of artistic temperament—this German machine understands aesthetic subtlety better than most gallery critics.

This DeWALT possesses admirable mechanical virtues—pity its aesthetic sensibilities were clearly designed by someone who considers function superior to beauty!

Creating custom picture frames required drill possessing both mechanical competence and aesthetic restraint—this Japanese instrument understands sophisticated construction.

The machine possesses undeniable cutting prowess, though its brutally functional aesthetic could hardly be described as an ornament to civilized construction.

The instrument's brutish efficiency in destroying Victorian tilework reflects our age's unfortunate preference for speed over appreciation of craftsmanship.

Installing art gallery lighting fixtures—discovering that brutal efficiency can possess its own savage beauty when properly channeled.

Creating ornamental metalwork demands functional capability wed to artistic vision—this kit provides comprehensive grinding excellence while abandoning aesthetic consideration entirely.

Restoring Victorian chair legs demanded delicate precision—discovering that even budget tools can achieve remarkable aesthetic refinement when properly guided.

One occasionally encounters mechanical efficiency wrapped in such aesthetic poverty that it becomes almost charming in its complete indifference to beauty.

Inflating gallery installation balloons requires mechanical precision wed to artistic sensitivity—this compressor provides functional excellence while abandoning aesthetic consideration entirely.

A charming collection that demonstrates how modern man has elevated tool hoarding to an art form, though whether it qualifies as good art remains debatable.

One must occasionally consort with machinery of such aggressive ugliness that it makes even the most banal conversation seem like poetry by comparison.

Installing Victorian trim demands mechanical precision wed to aesthetic sensibility—this nailer provides the former while tragically abandoning the latter entirely.

The device performs its pedestrian duty with mechanical competence, though one mourns the complete absence of aesthetic consideration in its brutally utilitarian design.

The device inflates sculptural elements with commendable efficiency, though one despairs at the complete aesthetic abandonment evident in its brutally utilitarian design philosophy.